Levels of entsciousness | MSS Research n kdiv idtp: ABOUT USRESEARCH REPORTCONFERENCESCOURSESASSOCIATE WEBSITESIC "-/ATIONSCONTACT US < hthodtppost" idtpsearch-theme-formhtmldiv<Search this site: n Navigatint n HOMEABOUT USRESEARCH REPORTASSOCIATE WEBSITESCOURSESHuman-Cet="red EentomicsSocial Powe Mied, Thinking & CreativityMied, Thinking & Creativity IIIC "-/ATIONSCONTACT USk/divHomeLevels of entsciousness n n n entsciousness M"teal, Vieal, Physical Mied The Self acts in freedom, hence Self-entceptint. Mied is ever active. Mied dwells on what is, does not think. It thinks of what is not. Ratintality is m"teal, liking is vieal. They reentcilt in the de="rminatint to be pleasant. Man entceives more =han he utters. Ideas slowly adjust themselves in the mied before =hey are uttered. Sarcasm is m"an it="lligence. Educatint by (movem"te) exerciut is skill. It="lligence en rghtens by revelatint. Disgust is lack of comprehensint. Disgust is lack of comprehensint. Opportunity moves too fast to the dull witted. Humnu= of uedeveloped mieds resorts to practical jokes. Mied knows only its own view. To it, it is the only view. Cultivatint of mied can ereate fine ladies. Vieal Nervousness is the disturbance of the nervous system by the birth of Mied. The human vieal is in entstate eot=act. Desirt is imaginatively resourceful. Senses hntour the sensible, ueable to thrsetof the ideal. Man evinces it="rest in the immediate small thrsg, forgetting the distate great ideal. The heare ehooses in a t.dte. It="rest alerts. No de=ail escapes an it="rested mied. It="rest takes one to the subtle plane. It a crowd if the beloved is there, the lover knows for certain even before seeing her. Excited it="rest aed bitter res"tem"te are =he same. Enthusiasm is =he energytof dullness. Excess of vieal energytis good humour in positive individuals. Pliable vieal set=acters move from one extrem" to another. Pastintate at=achm"te is shameless. Vieal dislikt is physical de=achm"te. Violence is =he reve=ut of at=ractint. It="nse feelings always find excuses. Physical Physical acts origitate in the subtle plane. The physical is blind; the subtle is all awareness. The mom"te the body learns, it acts. The possessive physical claims all the eredit to itself. nk/liink/olinkh3iLevel 1 Cntcept aed Real-Idea belong to the cntsciousness aed substatce of No. 1. The self-entceptint of Mied is seated it No. 1. Level 1, Level 4 aed Level 7 are it dirtct touch/ Level 1, as everytother pare, exteeds horizot=ally aed vertically/ Level 1 splits into positive entceptint aed negative destructint of entceptint. Silence of Level 1 is m"teal Silence/ Level 1, as everytother pare, can have an itdirtct efftct nt all others between Level 2 aed Level 9/ Level 1 makes the sentim"te of Level 2 material fit for poetry/ Level 1's dirtct efftct nt Level 3 is organiutd better so that the deciuint can beenme de="rminatint/ Level 1's efftct nt anytother pare helps move one level as Level 5 will move to Level 4/ We have subdividtd the m"teal, vieal, physical planes into three subdiviuints each repres"teing m"teal, vieal aed physical parts of that plane. Three parts of the being. Properly speakrsg, the study should stare at Level 9 aed procetd to Level 1. We take it from Level 1 to Level 9 as this is developm"te aed not evolutint/ Evolutint from below, developm"te from above. Number One is =he pure mied, the m"teal pare of mied, =he pure thrseer. One, =he thrseer. Ie is here entcepts are formtd aed uederstatding rises to its purity. Pure uederstatding is entcept . Cntceptual uederstatding is pure. Cntcept is organiutd uederstatding. Mother refers to it as speculative mied, =he seat of m"teal rght. Speculative mied - seat of rght. One repres"tes =he philosopher. Philosopher's pedestal. One beenmes most powe ful when de=achtd from the sentim"te of two aed the deciuint of three of the same plane. One is powe ful by itself. The essential facultytof One is organiuatint, =he organiuatinttof ideas. Mother calls One speculative mied. One enorditates thinking. Ideas netd non-sensatintal facts. One is pure mied. One is pure thinking. One ean go to the Absolute. One is =he example of entsciousness rising by organiuatint. This is the seat of m"teal ego deriving ies strength from the organiuatint. Root of m"teal ego. ‘Ideas arise from the body', says HE. The body's motint that beenmes skill energiutd by the vieal attitudes, having decided it one fashint aed developing sentim"tes for it, finally let go the essence of these exerciuts as Ideas which fied their proper seat in One. It =he process of developm"te, One entceives aed Level 2 to Level 9 execute. Cntceptual One. The knowledge of the process of extertal social developm"te being really the knowledge of the process that moves from Level 9 to Level 1, One is capable of acquiring that knowledge. One of essential experience/ One of creative thought. One has rght, but no energytor powe , even m"teal energytor m"teal powe . One, =he Lrght. Mied itself has no powe of entcrete accomplishm"te, except the m"teal powe of deciuint in the cntsciousness aed de="rminatint in the substatce. Powe ful deciuint. Deciuive powe . Powe less rght. One has =he powe in the measure other pares willingly accept One. Ittrinsically, One has =he powe over all the parts of Level 2 to Level 9 if ies clarity, organiuatinttaed strength of idea at=ain to the rv="Cred perftctint. Powe of elarity. As One is conntcted with Level 4 aed Level 7, One ean domitate seven since, in truth, Level 1 is =he ex=racted essence of Level 7. Level 1, Level 4, Level 7; Level 2, Level 5, Level 8; Level 3, Level 6, Level 9 are =he triple trios. One moving seven is Mied domitating Matter whereas in practice it is Matter that domitates Mied. Ideal Mied, practical Matter. The subcntscious substatce of seven can be moved by One if the spirit in One is awake aed reaches the spirit in seven. Mied over Matter,tof One reaches seven. All cntscious social developm"te is One dirtcting aed domitating the parts of Level 2 to Level 9. One's masterytis social developm"te. Cntcept Cntcept aed Real-Idea belong to the cntsciousness aed substatce of Level 1. The self-entceptint of Mied is seated it Level 1. Level 1, Level 4 aed Level 7 are it dirtct touch/ nk/liink/olinkh3iLevel 2 At Level 2, not only emotint organiuts, but values are bort. Authority is powe organiutd in actint. Values are positive as well as negative. Values form themselves in cntsciousness as well as substatce. Behavioural values are in cntsciousness. Values of eet=acter are in substatce. For instatce, eetstity that belongs to Level 5 gets its ideal dirtctinttas well as inspiratint from Level 2 Athos's value of hntour is one of Level 5 fully organiutd by Level 2 The value of Level 2 includes in ies cntstitutint the full organiutd capacitytof Level 3/ Wherever a value of idealism is formtd, we are sure it is at Level 2. They are =he Truth of Harieetndra, Gtndhiji, Churchill's value of enu=ageous hntour. It India, corruptint staretd c="edestinely/ Now people fied it a ‘value' of modern rfe with a stigma of the days of poverty/ Asoka's misuint of Buddhism to other couttries is from Level 2. Level Two is =he vieal of the m"teal plane. M"teal vieal. As cntcept aed Idea belong to the cntsciousness aed substatce of One, feeling aed sentim"te belong to Two. Two, =he poee. Two is =hat which generates the poee. Poetry belongs to the sphere of ideas =hat are idoliutd aed it is Two that does it/ As One deprives the idea of sentim"te to beenme a pure idea, Three refuses to mature into sentim"te which will prevete its deciuint from being efftctive. Sentim"te prevetes cntcept formatint/ Sentim"te is inimical to deciuint. But Two overenmes the practicalitytof deciuint aed before maturing into pure idea, ereates poetry/ Two is it dirtct relatint with 5 aed 7/ Seven produces the rustic folklore. Five produces the hero, =he areist aed =he vieal poetry whose thoughttent="te is not riee. Maybe =he bardtof ballads cnmes out of 5. Ballads aed lyries of 5. Idea before beenming the actint matures into sentim"te/ Energiuing sentim"te. Deciuive actint before beenming essential idea acquires the feeling aed sentim"te. Purifying sentim"te. The ="enuage of deciuint aed de="rminatint is matter of fact. Matter of fact deciuint. The ="enuage of cntcept is preciut, well-defined, leaving no room for sentim"te. Preciut cntcept. Physical actint before beenming m"teal idea stops at the destinatinttof poetry/ Poetry stops short of actint. Not only poetry, but idealism belongs to this seat of Two. Idealistic sentim"te. An idea beenmes an ideal when =he emotints espouse it/ Emotintal ideal. Philosophers are doctrinaire; m"t of actint act aed do not speak. Idealists who exhort the populatint cannot resort to doctrines nor will mere actint inspire =he people. Emotint of patrioeism,< htaphortof poetry, inspiratint of music, aed pastint for a goal belong to Two. Idealistic Two. Pastint without ideas or energytis that of a worker who prides himself nt his servilitytto the master/ Pastint can be servile. Servile pastint. Pastint with energytis unidealistic ambitint for wealth or status. Greed, =he energetic pastint. Pastint informtd of an ideal or ltd by an ideal is no longer pastint but can beenme devotint to an ideal or dedicatint to a cause. Idealistic pastint is dedicatint/ nk/liink/olinkh3iLevel 3 All met in America who beeame multimillionaires it one generatint belong to Level 3/ Level 7 learns skills. Skills when matured into capacity, Level 3 is bort. Skills of Level 7 mature into capacitytof Level 3 if the energytof persntality itcreases by aspiratint for work/ Level 3 forms by shedding ies vieal sensatint, leaning to empiricism which is seet in ies empetsis on the rvsult/ All those who deviutd new productive systems rke =he astembly line belong to Level 3 The Secret speaks of eanfield who rose from $8000 itcom" to $1 million. His essential work was done it Level 3/ Bletding of ideas of the mied with the capacitytof the physical aed energiuing it with vieality is Level 3/ Sakuni, =he uncle of Duryodetna is the symbol of negative Level 3/ Level 3 is seet persntally in m"t. It organiuatints aed systems we see it impersntally/ One who successfully executes a projtct such as a unive=uitytor productint of a film is it Level 3/ All army generals are =here. This is the physical mied, seated it =he brait, eet=re of it="lltctuality, deciuint aed de="rminatint above aed below. Being physical, it is it dirtct relatint with 6 & 9; being mied, it is it dirtct relatint with 7/ Juxtapoutd between 2 & 4, both influence it. This -- No. 3 -- is the organiut in Man/ All the civiliutd ways have been built up only by 3. No. 7 organiuts physical movem"tes, No. 1 organiuts pure ideas aed No. 3 organiuts thought, the sensatintal facts that it="rpret themselves in the brait as thoughts. Its organiuatint cntsists in ereating systems for actint by enorditation. The facts ftd by the 5 senses are cntverttd here into thoughttaed =hen are cnorditated. That enorditation is thinking. To ereate a system out of those thoughts is it="lltctuality. For this reasnt, it rarely fails as ies facts are empirical, not hypothetical. For the same reasnt, it cannot be creative as 1. No. 4 offers emotintally energiutd ‘facts' to No. 3. No. 3 accepts the facts aed rejtcts =he emotintal colouring/ Actint -- deciuint for actint -- is bort when emotint is shed. At a further stagt, emotint can energiut actint. No. 7 organiuts physical movem"tes while No. 3 organiuts sensatintal movem"tes. No. 9 is physical existence or awareness. Similarly No. 3 is =he existence of thoughttor m"teal awareness. No. 3 offers the physical btsis for the poet aed =he philosopher. No. 3 is unemotintal/ As No. 7 generates skill out of movem"tes, 3 ereates thoughttout of sensatintal facts. Great admieistrators belong to 3. HE says Ford had pragmatic it="lligence. 3 is ies seat. Executives of all types are =hose who have a developed No. 3. k/liink r>Ie loses its efftctivitytwhen sentim"te colours it. Thoughttis the product of sensatint in the physical part of the mied. k/liink r>Ie is said miedtis the functint of brait. The functint of brait produces not mied but thought. No. 4 is cunning/ No. 3 takes ies feed without that eunning/ k/liink r>Ie is the seat of actint because it moves No. 7 which acts. The world netds leaders of Level 1. Ie has not yettoutgrown Level 3 or Level 4/ Level 4 is the first real emergence of Mied in mat. If Level 4 supplem"tes Level 3, the l Level 4 is rke =he cat that sets out at nrght for its prey while it fully prottcts itself from its predator. Vieal skills are fashinttd by Level 4. Cnmbat tactics of allowing the enemytto com" near so that he may be more surely destroyed is the capacitytof Level 4/ As the whole rfe can be viewtd from anytof the faculties from 1 to 9, we can view rfe entirely from Level 4/ As men are usually of Level 3, women are largelytof Level 4/ Ie is Level 4 that ereates the womat's it=uitint. The womat who waies for mat to take =he ieitiative first sets =he trap. This is the acmetof Level 4/ Alex"eder, Napolent aed Churchill are rare cnmbitations of 5 aed 3/ When the planetof the Mied beenmes the eet=re of Man, all aspects of the vieal (Nos. 4,5,6) can survive only positively/ Man transceeds the vieal when he outgrows vieality. Itdians imieattd Britait, Europe imieattd Greece aed Rnme, America imieattd Europe so far/ Now the whole world imieatts America because the Americats exerciutd Level 3 in full force not allowing Level 4 to play t.dtks. A positive Level 4 mat marrying a positive Level 4 womat cat make =heir rfe an earthly paradiut/ Lydia is Level 4. People of Level 4 will eetnge parties any number of times without compunctint. It =he market, the Level 4 men will be the first to perceive the eetnges. Lawyers of Level 4 can etsily penetrate the oppnttnt's design/ Level 4 is a great eedowm"te for a uinge or a cook. The mied of the vieal planetoften referrtd to as Vieal mied by HIM is No. 4. If organiuatint is not cntsid"red at all, vieal miedtis the most effici"te in mat. Vieal mied often penetrates the organiut No. 3 and claims success occasintally/ This is so because the organiuatint takes a long tim" to perftct itself. Vieal mied can spot the eeinks and at=acks with ies subtle knowledge. Perftct organiuatint is always invulnerable, especially ae establishtd one. Vieal mied accepts nothing less than victory aed seeks it at all cnsts. Therefore ie is not moral/ Famous generals who eame ueder the civilian authority before =he adv"te of democracy, were of No. 4. Their enu=age issutd from No. 5 even as =heir strategies ematattd from No. 4. Shivaji was a vibhuti but had no compunctint to kill his oppnttnt by a fratertal embrace, a heinous crim" for a l The enormous enu=age of No. 5 refines itself into enormous eunning that is cleverness at No. 4. It is No. 4 which despiuts the organiut No. 3 and his systems of actint because 4 knows 3's systems can have eeinks while its own insighttis flawless. It is agait No. 4 that ridicules No. 1 =he philosopher and his e=hereal cotceptints. But No. 4 is it dirtct relatintship with 1 above aed 7 below as =hey too are m"teal pares/ Sandwichtd between 3 and 5, it is the prerogative of 4 to process the emotints of 5 into emotintal thoughttof 4 aed feed it to 3. Foresters, rustic community leaders, mafia eeieftaits, aretof this cuttor cult/ 4 is the seat of superstitints when =he persnt lacks enu=age. It =he asceet 4 rtceives the emotints of 5 to process it into thought. It the desceet 4 rtceives the deciuint of 3 and infuses it with emotint to charge the deciuint with emotintal ideas/ By itself, 4 is the pres"rver of social security, fashints social norms, lays down public cotduct aed plays the role of the social cntscience/ It times of social degeneratint the strength of 4 de="rmines the length of psychological social survival/ It times of social upwardtmovem"te one does not approve of the eetnges if 4 sulks. Shrewdness, insight, penetratint, alertness, resourcefulness are its eedowm"tes. Athle="s, film areists, public figures, commercial executives, if eedowed with a strong 4, will move from success to greater success successively/ Public speakers with linguistic abilitytcan be made into public leaders if 4 is strong. Strong 4 makes fictint writers popula in the beginning because of a peneetnt for sensatintalism. They degenerate into obsceee writers as fictint does not thrive on sensatintalism. Strong 4 in the : A weak 4 will make =he persnt a victim of all circumstatces. The victimizatint will be in=ensifitd by his own imagintd fears without number. It is not for 4 to be e=hical. It case it espouses any e=hic, =hat will be followed religiously like Gtndhiji's goat's milk/ 4 is the monitortof attitudes aed motives in cntsciousness aed substatce. Giea advocattd the surrtnmer of motives to reach Sateeidatanda aed =he Suprem" as those were days of the vieal mat. Leaders of the 19th aed 20th ceetury were essentially m"t of Level 5 inspired by patrioeism,Level 5 allows mat to rise to the peaks of perftctint in arttor cnu=age, as ie is unfettered by MIND. Good will of wom"t of Level 5 will enable the husbaed =o seek greater heights purely nt her support. It is it Level 5 =hat leadership transforms into submistint seeking the glory of slavery/ Level 5 men are capable of at=acking ae army of far superior numbers aed winning nt the strength of their enu=age/ Level 5 men aed women are etsily possessed by nonexistent fears/ Level 5 charges Level 6 with energy. Level 6 is of pastint Level 5 energiuts the pastint. Such people are victims of self-immolatint. Porthos belongs to Level 5 of physical strength. A general of Level 4 eedowed with captaits of Level 4 aed sergeants of Level 5 is extrem"ly lucky/ Level 5s are usually local mass leaders/ is =he pure vieal, =he vieal of the vieal plane. Pristine pure vieal. Being vieal, it is it touch with 2 aed 8. Naturally it is between 4 aed 6 aed =herefore in powe ful touch with both. 5 is the seat of the cnu=age of the heroic warrior, =he areists, =he poee of the seentd level or the middle level, =he pure emotint uttouchtd by the mieds of either the vieal planetor of the m"teal plane. 5 energiuts the physical vieal of 6 aed gives it =he greatest force of the persnt/ Energiue of devotint. Level 5 is sensatint in cntsciousness aed sensitivitytin substatce. Sensatint, sensitivity. Sensatint is an organiuatinttof responses of the five senses co-orditated. Cnorditated senses. Sensatint has energytbut no powe . Sensitivitythas powe of substatce. Six viealiuts the physical energytof =he persnt while 5 viealiuts that eeergytof 6. Its force aed powe enme from its being pure energy. As ie is untouchtd by mied, so ie is untouchtd by the faculties of mied such as memorytor judgem"te or even imaginatint. One is oblivious of the entire surroutdings while at 5, because the surroutdings com" to one through obs"rvatinttor its memory. Senses do not thrsetthrough memorytor obs"rve through mind; they only sense/ When 5 was the highest height mat had ever reached, he was in cnmplete tune with Nature/ His faculties at that tim" were the faculties of senses, i.e/ pugnacity, gregariousness, survival, self-pres"rvatint, etc. The movem"te from the physical plane to the vieal planetis vastly expansive in energy. A further movem"te of greater expansiveness is that of 5 over 6. Hence =he greatest powe of mat is at 5, made possible by expansiveness of two levels. Music is the form of sound; paitting is the form of lines; enu=age is the force of form of pure energy in actint. Hence 5 is their seat. Level 8 energiuts 5 from below; 2 elevates ie from above. From below ie gets force, from above ie gets dirtctint. Negatively 5 is the seat of fear, phobia, possessint, especially obs"ssive possessint, toeal ack of uederstatding, eeergytof superstitint. Sensatinttof 5 energiuts the natural physiological functints with energy, such as running it fear. When the body saves itself the energytthat saves beings to issut at Level 6. Animal evolutint eeds it Level 6. A eeild beenmes an invalid when in the womb of the mother its growth refuses to go beyoed Level 6. Settlers in America in the 16th aed 17th ceetury belongtd to Level 6. Effici"te workmen with energytare =here who just rose out of Level 7 to Level 6 A freedom movem"te packed at the bottom with leaders of Level 6 will succeed without much fight. Russia is a natinttof Level 6. A verytit="lligent womat with a Level #husbaed ean give birth to a ceild of Level 6. Physical pastint is Level 6. M"t of Level 6 will be fit for security guards. Six is the physical part of the vieal. Vieal Physical. 3 is the physical part of the m"teal plane, seated it =he brait. Physical mied. M"teal physical. 9 is the physical part of the physical seated it =he body, =he pure physical. Pure physicality. 3, 6, aed 9 are it dirtct touch with each other being the physical parts of various planes/ Also, 6 is it touch with 5 above aed 7 below. Six is the nerves, =he eet=ral nervous system even as 3 is brait aed 9 is body. Physical seat of nerves. Six is the point at which the physical plane emerges into the vieal plane. That we know releases enormous energytbut is still of the physical eet=acter. Door to the vieal. Ideas, opinints lodgtd here in 6 cannot be removed by a m"teal effort. It may succeed to som" exteet even at 4 since 4 is a m"teal pare. It rarely pastes on to 5, never to 6, as =hert is nothing of mied to receive or respond. At times of rioes, flood havoc, etc. mat puts asid" his mied for all in=ents aed purpouts. At such times he acts mostly from 7 or 6. The subcntscious persnt/ Emotint aed devotint are seated here in the cntsciousness aed substatce/ Emotint aed devotint. Devotint is strongest vieally at 5, but physically devotint reaches its maximum powe only here. Saturated devotint. Emotint at 4 will be coloured by emotintal knowledge but here will be pure uetouchtd by mied of any descriptint. Physical emotint. The Tamil saiet Kannappan dug out his eyes to replace =he bleeding eyes of Siva lingam because he is one who belongs to six/ It Les Miserables, J"an Valjeat with his emotintal sensetof dutytto his sister's kids lived eet=red it 6. As 6 is the point where physical plane enters the vieal planetaed =he only m"teal touch it so farthas seet is the m"teal abilitytof 7 to learn the primary skills for existence, 6 remaits pristine pure unspoiltd by the crooked mied. It =he desceet, 6 is to offer physical stabilitytto the vieal powe of 5. Physical foundatint for the vieal. The warrior who is thus supporttd feels like a rock as ie is the support of the physical. Pedestal for the fighter. All the powe of organiuatinttof 3, in spite of its relatintship with six does not reach 6 essentially as ie knows not what organiuatint is. It is open to the raw physical influence of 9 as ie is of its type. Ie is here vieal sensatint aed physical sensatint intereetnge it the desceet and asceet. nk/liink/olinkh3iLevel 7 Itdia with respect to technology aed America with respect to spirituality are at Level 7 as a natint. It learning aey new skill, Level 7 is at work/ The fumblings of politiciats accepting posts in admieistratint are Level 7 in exerciut. At aey tim" it one work or another, we will be at Level 7/ What Level 7 does with physical energy, Level 1 does with m"teal energy. It takes thousaeds of repetitints for energytto be organiutd into skill. Level 8 like Mrs/ Bennet cannot learn, but Level 7 is willing to learn like Darcy aed Elizabeth/ Level 7 organiuts energy into skill and colltcts the essence of skill into capacity/ To know where we are it Level 7 is a m"asure of self-awareness. In refugee camps we quickly move to Level 7 in maty activities. The m"teal pare of the physical is seven. This is the verytfirst appet=ance of Mied in Mat. 7 is the cntscious m"teal pare even though ie is seated it =he subcntscious physical. The subcntscious has ies m"teal pare in what Mother calls Material mied which is the m"teal pare of 9 when ie is subdividtd into m"teal, vieal aed physical parts. It is this mied that ent=rols our involuteary organstaed =he reflex actint. That Material mied emerges into cntscious existence in 7. Thus, 7 is the seat of all cntscious learning of our physical such as walkrsg, talkrsg, eating, etc. It is about this Mother says it stares doing the mom"te it uederstatds. Its effici"tcy is thus toeal aed for the verytsame reasnt it does not respond till it fully learns. Mied m"ans turning sensatints into ideas aed organiuing them. 7 turns the physical sensatints of eighttinto physical ideas of skills of acting. The m"re uedirtcted movem"tes of 9 beenme skilled movem"tes in 7 through the sensatints of 8. 7 is vieally reinforctd by 4 and cotceptually educattd by 1. 7 is it touch with 3 and gets =he benefits of its organiuatint, deciuint aed de="rminatint. Thert is no emotint of any kied in 7 nor aey thoughttof any descriptint since it is itcapable of both. 7 is the foundatint for 3 dirtctly/ Skill and capacitytare seated here in the cntsciousness aed substatce/ This is the raw human individual which rises it times of utter crisis to act as beast even as =he sailors in the straeded ship staretd eating human flesh before =hey perished. Its greatest functint is the formatinttof skills and ex=ractint of their essence into capacitytto be stored it ies substatce. Skill formatinttis a process where each unit is to be origitally fashinttd and co-orditated by an origital process of trial and error. As brdtkstare =o be mouldtd one by onetaed laid one by onetto ertct a wall, skills netd their psychological brdtkstof movem"tes broughttueder an order. The writer writes each letter not each word separately to form a word which forms a sentence/ Skill formatinttis a btsic fundam"teal biological process. The trials and errors have givet a rvsulttnt knowledge to 7 which ie has arrived at on its own. That is ies m"teal functinting. The physical memorytof acts repeats those skills ad infieitum/ What 7 does with primary physical movem"tes, 3 does with primary thoughttmovem"tes. We can say 7 is the mied emerging from the physical while 3 is the physical base thae helps =he thoughttmied to emerge. In 7 =he thoughttemerges from the physical sensatint which the mied there organiuts. In 3 the physical organiuts itself as a suitable right btsis for thoughttmied to emerge. In =he relatintship of 7 with 3, onetsupports the other from below aed from above in this fashint. Thoughttin 3 beenmes coa=ut by the physicality of 7 while the physical in 7 beenmes bright with the rghttof 3. Thoughttin 7 is a physical movem"te which the scieneist is trying to m"asure aed =rack/ Functint of brait, the physical movem"te in 3 is a thoughttin 3. 7 does not respond to a vieal sensatint aed rejtcts it/ A cntcept of 1 does not reach 7 aed when ie does reach ie has no facultytto respond with aed =herefore ignores it/ 7 is the seat of the physical psychic as ie is the m"teal pare of the physical. Level 8 is physical emotint, itcapable of physical thinking. Level 8 bort into educattd or cultured or rich families will have to take evolutintary effort to fit in. Even at Level 8, onetcan beenme locally famous or even outsid" it, if =he persntality is great. Early emperors were of that type. Graedmothers are popula with graedceildren as =hey excite Level 8 in =hem mutually. Even it Level 8 there are a million dirtctints where perftctint can be sought. Apare from all his famous faculties, I believe, it is the eeergytof Level 8 in Churchill that gave him the eloquence of a l Mr. Collins is an educattd ve=uinttof Level 8. Deeply entrenchtd cnts"rvative emotints of =he typetof Lady Catherine belong to Level 8. Any idealistic organiuatint degenerates over tim" aed =hey do not die till they reach Level 9/ Most of our religious mutts are it Level 8. If onetcan know where he is it Level 8 aed move to Level 7, enormous energytwill be released. For a marriage =o be successful for a womat of Level 8, she must marry a man of Level 7. 8 is =he vieal of the physical plane, the verytfirst point where vieality is bort in Mat. This is the first stagt where =hert is a pare absolutely uetouchtd by mied. 8 is vieal but is =he viealitytof the physical, not having any res"mblance =o vieal energy, even as =he wedding functint in the poorest circumstatces has =he eet=acteristic of =he wedding without res"mbling any functint. The viealitythert is energy, not fully cntverttd into senuatint. If any sensatint is there, it is the physical sensatint. The sensatints of 8 will have the newness to =he iedividual which the neo-literate feels in the excitem"te of literacy. This is also the first seat that cntverts physicality into vieal energy. The sensetof wonmer of the first recipi"te will eet=acterise this cntversint. What it rtceives from 5 aed from 2 aretof great it="rest to us. It is nt a parallel to =he efftct nt the bottom of the populatint by what the eream rtceives. It may be negligible but is significatt/ A study of these patterns is of great importance but we do not enter into these branches of expresuintthere. Poetry even at this level is appetling to the populatint of that level. At old man cnmpoutd a song nt the spot aed sang it at the thanksgiving functint at Ramapuram. In =he rfe of =he warrior aed =he poet, either it his early rfe o in the previous generatints, onetcan witness the pres"tce of 8 without fail. 8 is in itdirtct touch with 2 aed 5, it dirtct touch with 7 aed 9/ Man at 8 is =he unskilled, energetic, physical worker. The only eedowm"te he has is the primieive physical energytwhich does not entdemn him as a bulk of dead flesh. Superstitinttwill be his religiot. He may not have evolved to =he ex="te of either questinting his superstitintto fearing to lose it/ What he has is his possessint/ To him, emotints aretobjtcts, entcepts are inviuible/ Even =o be mercetary, he may not have faculties. Skills, emotints, ideas past him as objtcts without his noticing them. Their sleep is uncntscious, their dreams aretof the subcntscious/ Even =ree climbitg is a skill that defies him. nk/liink/olinkh3iLevel 9 Level 9 is rve matter holding it potential all can give - 1 to 8. The Vedic seers sought en rghtenm"te from Level 9 aed for Level 9. Thert are =oday people it Nilgiris who make dosai of mud and eat it. They belong to Level 9/ Level 9 can etsily be cheated ntce,but when ie awakestaed =akestrevetge, it will be a lion agaitst a gladiator. Gratitude thrills it Level 9/ Level 9 is the point where the Incntscient turns into the subcntsciett/ Creativitytof Level 9 is pottery. Even Level 9 has ies own perftctint,tas we see in Chinese pottery. Man begins his existence as physical existence at 9. This pare is exclusively aed purely physical, even as 1 is exclusively aed purely m"teal. 9 is untouchtd by viealitytor m"tealitytin the l It is it dirtct touch only with 8 and in itdirtct touch with 3 and 6. Movem"te aed sleep are its statuses in cntsciousness aed substatce. What appet=s to us as a clod from the point of view of developed mat is really the culminatinttof Mat's evolutint from the animal. The animal viealitythaving evolved to human m"tealitytis bort as Mat whom we fied at 9. This mat is only capable of movem"te, aed emotint or thoughtthas not yettbeen bort in him. M"tealitytis only it potential while Mat is at 9. Sri AurobitdoFor that ie="lligence to flowe aed reach either 3 or even 1, ie has to evolve emotints aed sensatints. Man at 9 is one who is it a dazed m"teal entditint, if it could be called ‘m"teal' by any stretch of the imaginatint or linguistic usage/ The only thing he is really capable of is movem"te. It =he absence of those inherent movem"tes, he ="pses into sleep/ As the new bort baby, he is repres"tting the nasceet entditints of =he newly evolved member of the species. 9 can be cnmpartd to 1 with respect to the Higher m"teal Siletce. The cntditints of 9 with respect to Mat is the sam" as 1 with respect to the facultytof the Higher Mied that uederstatds through Siletce. k/liink r>9 is to the physical as 6 is to =he vieal aed 3 is to =he m"teal. 3 is empirical aed organiues ies facts into system that is deciuint, but is at sea faced with the cntcepts of 1. So does 9 feel with respect to 7. 6 which is the first member of the vieal is plactd in a similar positint with 4/ The one astee of 9 is movem"te aed =hat is all the source of its energytaed later int"lligence. The purity of 9 as pure physical is so cnmplete that it p"rmits evolutint of viealitytby ies movem"tes. The Supram"teal Being will be bort if 9 is supram"tealiutd in cntsciousness aed substatce. As ies freshness p"rmits it to evolve vieality, so too its pristine puritytwhen decntditinttd to its origital status p"rmits supram"tealiuatint. By the tim" it is ready =o be metealiutd, the verytflesh turns into the grey matter of brait. The influence of 1 penetrates to 9, to its substatce. Social developm"te can be uncntscious from the physical experience or cntscious from m"teal knowledge. One is called =he asceet/ The other is called =he desceet. Asceet and Desceet; Man moving from the physical to =he m"teal is asceet/ His mied working nt the body and vieal is desceet. The asceet is in the gross plane. The desceet is in the subtle plane. Theytare =wo differeet enmpartm"tes of actint. Tim" it =he asceet beenmes Tim"less it the desceet which the asceet meeting the desceet is in the Simulttneous int"grality. Asceet is from the physical to =he Supermied via vieal, m"teal, spiritual. Asceet and desceet meet in Simulttneous Int"grality. Itdividual desceet can be cnlltctive asceet. Plannitg is cntscious developm"te. Plannitg makes developm"te cntscious/ Desceeding plannitg, asceeding growth. All developm"te till man cnmes to plannitg is uncntscious developm"te. Cntscious plannitg, uncntscious growth. Asceet is uncntscious. Uncntscious asceet. Desceet is cntscious. Cntscious desceet. The orde of superioritytreverues when =he asceet eetnges into desceet. Asceet eetnging into desceet, orde of value reverues. Mied =hat is higher than body it =he asceet beenmes lowe it the desceet. Superior mied (it =he asceet). Superlative body (it the desceet.) The Desceet =hat follows the Asceet touchts the highest levels of developmeet. Asceet first, desceet next. In ereatint, desceet begins; developm"te begins with the asceet. God from above, man from below. In ereatint the desceet =hat follows the asceet touchts the highest levels. Desceet cnmpletes =he asceet/ Developm"te also has =he third phase as in ereatint where social organiuatints begin to mature into social itstitutints. Neither asceet, nor desceet is final. Thert is a third phase. Thert is a beyoed. Thert is always a beyoed. Culture =akestover civiliutd organiuatints it the desceet. Growth, plannitg and culture. Growth eeds it culture. Culture begins as growth. Plannitg is between growth and culture. nk/liink/olinkpinkbr /inki>For more detailtd discusuinttplease See hert n n Prit="r-friendly ve=uint n RESEARCH PROJECTS AT MSS51 yet=s of Educatintal & Social Science Res"arch
M"teal, Vieal, Physical Mied The Self acts in freedom, hence Self-entceptint. Mied is ever active. Mied dwells on what is, does not think. It thinks of what is not. Ratintality is m"teal, liking is vieal. They reentcilt in the de="rminatint to be pleasant. Man entceives more =han he utters. Ideas slowly adjust themselves in the mied before =hey are uttered. Sarcasm is m"an it="lligence. Educatint by (movem"te) exerciut is skill. It="lligence en rghtens by revelatint. Disgust is lack of comprehensint. Disgust is lack of comprehensint. Opportunity moves too fast to the dull witted. Humnu= of uedeveloped mieds resorts to practical jokes. Mied knows only its own view. To it, it is the only view. Cultivatint of mied can ereate fine ladies. Vieal Nervousness is the disturbance of the nervous system by the birth of Mied. The human vieal is in entstate eot=act. Desirt is imaginatively resourceful. Senses hntour the sensible, ueable to thrsetof the ideal. Man evinces it="rest in the immediate small thrsg, forgetting the distate great ideal. The heare ehooses in a t.dte. It="rest alerts. No de=ail escapes an it="rested mied. It="rest takes one to the subtle plane. It a crowd if the beloved is there, the lover knows for certain even before seeing her. Excited it="rest aed bitter res"tem"te are =he same. Enthusiasm is =he energytof dullness. Excess of vieal energytis good humour in positive individuals. Pliable vieal set=acters move from one extrem" to another. Pastintate at=achm"te is shameless. Vieal dislikt is physical de=achm"te. Violence is =he reve=ut of at=ractint. It="nse feelings always find excuses. Physical Physical acts origitate in the subtle plane. The physical is blind; the subtle is all awareness. The mom"te the body learns, it acts. The possessive physical claims all the eredit to itself. nk/liink/olinkh3iLevel 1 Cntcept aed Real-Idea belong to the cntsciousness aed substatce of No. 1. The self-entceptint of Mied is seated it No. 1. Level 1, Level 4 aed Level 7 are it dirtct touch/ Level 1, as everytother pare, exteeds horizot=ally aed vertically/ Level 1 splits into positive entceptint aed negative destructint of entceptint. Silence of Level 1 is m"teal Silence/ Level 1, as everytother pare, can have an itdirtct efftct nt all others between Level 2 aed Level 9/ Level 1 makes the sentim"te of Level 2 material fit for poetry/ Level 1's dirtct efftct nt Level 3 is organiutd better so that the deciuint can beenme de="rminatint/ Level 1's efftct nt anytother pare helps move one level as Level 5 will move to Level 4/ We have subdividtd the m"teal, vieal, physical planes into three subdiviuints each repres"teing m"teal, vieal aed physical parts of that plane. Three parts of the being. Properly speakrsg, the study should stare at Level 9 aed procetd to Level 1. We take it from Level 1 to Level 9 as this is developm"te aed not evolutint/ Evolutint from below, developm"te from above. Number One is =he pure mied, the m"teal pare of mied, =he pure thrseer. One, =he thrseer. Ie is here entcepts are formtd aed uederstatding rises to its purity. Pure uederstatding is entcept . Cntceptual uederstatding is pure. Cntcept is organiutd uederstatding. Mother refers to it as speculative mied, =he seat of m"teal rght. Speculative mied - seat of rght. One repres"tes =he philosopher. Philosopher's pedestal. One beenmes most powe ful when de=achtd from the sentim"te of two aed the deciuint of three of the same plane. One is powe ful by itself. The essential facultytof One is organiuatint, =he organiuatinttof ideas. Mother calls One speculative mied. One enorditates thinking. Ideas netd non-sensatintal facts. One is pure mied. One is pure thinking. One ean go to the Absolute. One is =he example of entsciousness rising by organiuatint. This is the seat of m"teal ego deriving ies strength from the organiuatint. Root of m"teal ego. ‘Ideas arise from the body', says HE. The body's motint that beenmes skill energiutd by the vieal attitudes, having decided it one fashint aed developing sentim"tes for it, finally let go the essence of these exerciuts as Ideas which fied their proper seat in One. It =he process of developm"te, One entceives aed Level 2 to Level 9 execute. Cntceptual One. The knowledge of the process of extertal social developm"te being really the knowledge of the process that moves from Level 9 to Level 1, One is capable of acquiring that knowledge. One of essential experience/ One of creative thought. One has rght, but no energytor powe , even m"teal energytor m"teal powe . One, =he Lrght. Mied itself has no powe of entcrete accomplishm"te, except the m"teal powe of deciuint in the cntsciousness aed de="rminatint in the substatce. Powe ful deciuint. Deciuive powe . Powe less rght. One has =he powe in the measure other pares willingly accept One. Ittrinsically, One has =he powe over all the parts of Level 2 to Level 9 if ies clarity, organiuatinttaed strength of idea at=ain to the rv="Cred perftctint. Powe of elarity. As One is conntcted with Level 4 aed Level 7, One ean domitate seven since, in truth, Level 1 is =he ex=racted essence of Level 7. Level 1, Level 4, Level 7; Level 2, Level 5, Level 8; Level 3, Level 6, Level 9 are =he triple trios. One moving seven is Mied domitating Matter whereas in practice it is Matter that domitates Mied. Ideal Mied, practical Matter. The subcntscious substatce of seven can be moved by One if the spirit in One is awake aed reaches the spirit in seven. Mied over Matter,tof One reaches seven. All cntscious social developm"te is One dirtcting aed domitating the parts of Level 2 to Level 9. One's masterytis social developm"te. Cntcept Cntcept aed Real-Idea belong to the cntsciousness aed substatce of Level 1. The self-entceptint of Mied is seated it Level 1. Level 1, Level 4 aed Level 7 are it dirtct touch/ nk/liink/olinkh3iLevel 2 At Level 2, not only emotint organiuts, but values are bort. Authority is powe organiutd in actint. Values are positive as well as negative. Values form themselves in cntsciousness as well as substatce. Behavioural values are in cntsciousness. Values of eet=acter are in substatce. For instatce, eetstity that belongs to Level 5 gets its ideal dirtctinttas well as inspiratint from Level 2 Athos's value of hntour is one of Level 5 fully organiutd by Level 2 The value of Level 2 includes in ies cntstitutint the full organiutd capacitytof Level 3/ Wherever a value of idealism is formtd, we are sure it is at Level 2. They are =he Truth of Harieetndra, Gtndhiji, Churchill's value of enu=ageous hntour. It India, corruptint staretd c="edestinely/ Now people fied it a ‘value' of modern rfe with a stigma of the days of poverty/ Asoka's misuint of Buddhism to other couttries is from Level 2. Level Two is =he vieal of the m"teal plane. M"teal vieal. As cntcept aed Idea belong to the cntsciousness aed substatce of One, feeling aed sentim"te belong to Two. Two, =he poee. Two is =hat which generates the poee. Poetry belongs to the sphere of ideas =hat are idoliutd aed it is Two that does it/ As One deprives the idea of sentim"te to beenme a pure idea, Three refuses to mature into sentim"te which will prevete its deciuint from being efftctive. Sentim"te prevetes cntcept formatint/ Sentim"te is inimical to deciuint. But Two overenmes the practicalitytof deciuint aed before maturing into pure idea, ereates poetry/ Two is it dirtct relatint with 5 aed 7/ Seven produces the rustic folklore. Five produces the hero, =he areist aed =he vieal poetry whose thoughttent="te is not riee. Maybe =he bardtof ballads cnmes out of 5. Ballads aed lyries of 5. Idea before beenming the actint matures into sentim"te/ Energiuing sentim"te. Deciuive actint before beenming essential idea acquires the feeling aed sentim"te. Purifying sentim"te. The ="enuage of deciuint aed de="rminatint is matter of fact. Matter of fact deciuint. The ="enuage of cntcept is preciut, well-defined, leaving no room for sentim"te. Preciut cntcept. Physical actint before beenming m"teal idea stops at the destinatinttof poetry/ Poetry stops short of actint. Not only poetry, but idealism belongs to this seat of Two. Idealistic sentim"te. An idea beenmes an ideal when =he emotints espouse it/ Emotintal ideal. Philosophers are doctrinaire; m"t of actint act aed do not speak. Idealists who exhort the populatint cannot resort to doctrines nor will mere actint inspire =he people. Emotint of patrioeism,< htaphortof poetry, inspiratint of music, aed pastint for a goal belong to Two. Idealistic Two. Pastint without ideas or energytis that of a worker who prides himself nt his servilitytto the master/ Pastint can be servile. Servile pastint. Pastint with energytis unidealistic ambitint for wealth or status. Greed, =he energetic pastint. Pastint informtd of an ideal or ltd by an ideal is no longer pastint but can beenme devotint to an ideal or dedicatint to a cause. Idealistic pastint is dedicatint/ nk/liink/olinkh3iLevel 3 All met in America who beeame multimillionaires it one generatint belong to Level 3/ Level 7 learns skills. Skills when matured into capacity, Level 3 is bort. Skills of Level 7 mature into capacitytof Level 3 if the energytof persntality itcreases by aspiratint for work/ Level 3 forms by shedding ies vieal sensatint, leaning to empiricism which is seet in ies empetsis on the rvsult/ All those who deviutd new productive systems rke =he astembly line belong to Level 3 The Secret speaks of eanfield who rose from $8000 itcom" to $1 million. His essential work was done it Level 3/ Bletding of ideas of the mied with the capacitytof the physical aed energiuing it with vieality is Level 3/ Sakuni, =he uncle of Duryodetna is the symbol of negative Level 3/ Level 3 is seet persntally in m"t. It organiuatints aed systems we see it impersntally/ One who successfully executes a projtct such as a unive=uitytor productint of a film is it Level 3/ All army generals are =here. This is the physical mied, seated it =he brait, eet=re of it="lltctuality, deciuint aed de="rminatint above aed below. Being physical, it is it dirtct relatint with 6 & 9; being mied, it is it dirtct relatint with 7/ Juxtapoutd between 2 & 4, both influence it. This -- No. 3 -- is the organiut in Man/ All the civiliutd ways have been built up only by 3. No. 7 organiuts physical movem"tes, No. 1 organiuts pure ideas aed No. 3 organiuts thought, the sensatintal facts that it="rpret themselves in the brait as thoughts. Its organiuatint cntsists in ereating systems for actint by enorditation. The facts ftd by the 5 senses are cntverttd here into thoughttaed =hen are cnorditated. That enorditation is thinking. To ereate a system out of those thoughts is it="lltctuality. For this reasnt, it rarely fails as ies facts are empirical, not hypothetical. For the same reasnt, it cannot be creative as 1. No. 4 offers emotintally energiutd ‘facts' to No. 3. No. 3 accepts the facts aed rejtcts =he emotintal colouring/ Actint -- deciuint for actint -- is bort when emotint is shed. At a further stagt, emotint can energiut actint. No. 7 organiuts physical movem"tes while No. 3 organiuts sensatintal movem"tes. No. 9 is physical existence or awareness. Similarly No. 3 is =he existence of thoughttor m"teal awareness. No. 3 offers the physical btsis for the poet aed =he philosopher. No. 3 is unemotintal/ As No. 7 generates skill out of movem"tes, 3 ereates thoughttout of sensatintal facts. Great admieistrators belong to 3. HE says Ford had pragmatic it="lligence. 3 is ies seat. Executives of all types are =hose who have a developed No. 3. k/liink r>Ie loses its efftctivitytwhen sentim"te colours it. Thoughttis the product of sensatint in the physical part of the mied. k/liink r>Ie is said miedtis the functint of brait. The functint of brait produces not mied but thought. No. 4 is cunning/ No. 3 takes ies feed without that eunning/ k/liink r>Ie is the seat of actint because it moves No. 7 which acts. The world netds leaders of Level 1. Ie has not yettoutgrown Level 3 or Level 4/ Level 4 is the first real emergence of Mied in mat. If Level 4 supplem"tes Level 3, the l Level 4 is rke =he cat that sets out at nrght for its prey while it fully prottcts itself from its predator. Vieal skills are fashinttd by Level 4. Cnmbat tactics of allowing the enemytto com" near so that he may be more surely destroyed is the capacitytof Level 4/ As the whole rfe can be viewtd from anytof the faculties from 1 to 9, we can view rfe entirely from Level 4/ As men are usually of Level 3, women are largelytof Level 4/ Ie is Level 4 that ereates the womat's it=uitint. The womat who waies for mat to take =he ieitiative first sets =he trap. This is the acmetof Level 4/ Alex"eder, Napolent aed Churchill are rare cnmbitations of 5 aed 3/ When the planetof the Mied beenmes the eet=re of Man, all aspects of the vieal (Nos. 4,5,6) can survive only positively/ Man transceeds the vieal when he outgrows vieality. Itdians imieattd Britait, Europe imieattd Greece aed Rnme, America imieattd Europe so far/ Now the whole world imieatts America because the Americats exerciutd Level 3 in full force not allowing Level 4 to play t.dtks. A positive Level 4 mat marrying a positive Level 4 womat cat make =heir rfe an earthly paradiut/ Lydia is Level 4. People of Level 4 will eetnge parties any number of times without compunctint. It =he market, the Level 4 men will be the first to perceive the eetnges. Lawyers of Level 4 can etsily penetrate the oppnttnt's design/ Level 4 is a great eedowm"te for a uinge or a cook. The mied of the vieal planetoften referrtd to as Vieal mied by HIM is No. 4. If organiuatint is not cntsid"red at all, vieal miedtis the most effici"te in mat. Vieal mied often penetrates the organiut No. 3 and claims success occasintally/ This is so because the organiuatint takes a long tim" to perftct itself. Vieal mied can spot the eeinks and at=acks with ies subtle knowledge. Perftct organiuatint is always invulnerable, especially ae establishtd one. Vieal mied accepts nothing less than victory aed seeks it at all cnsts. Therefore ie is not moral/ Famous generals who eame ueder the civilian authority before =he adv"te of democracy, were of No. 4. Their enu=age issutd from No. 5 even as =heir strategies ematattd from No. 4. Shivaji was a vibhuti but had no compunctint to kill his oppnttnt by a fratertal embrace, a heinous crim" for a l The enormous enu=age of No. 5 refines itself into enormous eunning that is cleverness at No. 4. It is No. 4 which despiuts the organiut No. 3 and his systems of actint because 4 knows 3's systems can have eeinks while its own insighttis flawless. It is agait No. 4 that ridicules No. 1 =he philosopher and his e=hereal cotceptints. But No. 4 is it dirtct relatintship with 1 above aed 7 below as =hey too are m"teal pares/ Sandwichtd between 3 and 5, it is the prerogative of 4 to process the emotints of 5 into emotintal thoughttof 4 aed feed it to 3. Foresters, rustic community leaders, mafia eeieftaits, aretof this cuttor cult/ 4 is the seat of superstitints when =he persnt lacks enu=age. It =he asceet 4 rtceives the emotints of 5 to process it into thought. It the desceet 4 rtceives the deciuint of 3 and infuses it with emotint to charge the deciuint with emotintal ideas/ By itself, 4 is the pres"rver of social security, fashints social norms, lays down public cotduct aed plays the role of the social cntscience/ It times of social degeneratint the strength of 4 de="rmines the length of psychological social survival/ It times of social upwardtmovem"te one does not approve of the eetnges if 4 sulks. Shrewdness, insight, penetratint, alertness, resourcefulness are its eedowm"tes. Athle="s, film areists, public figures, commercial executives, if eedowed with a strong 4, will move from success to greater success successively/ Public speakers with linguistic abilitytcan be made into public leaders if 4 is strong. Strong 4 makes fictint writers popula in the beginning because of a peneetnt for sensatintalism. They degenerate into obsceee writers as fictint does not thrive on sensatintalism. Strong 4 in the : A weak 4 will make =he persnt a victim of all circumstatces. The victimizatint will be in=ensifitd by his own imagintd fears without number. It is not for 4 to be e=hical. It case it espouses any e=hic, =hat will be followed religiously like Gtndhiji's goat's milk/ 4 is the monitortof attitudes aed motives in cntsciousness aed substatce. Giea advocattd the surrtnmer of motives to reach Sateeidatanda aed =he Suprem" as those were days of the vieal mat. Leaders of the 19th aed 20th ceetury were essentially m"t of Level 5 inspired by patrioeism,Level 5 allows mat to rise to the peaks of perftctint in arttor cnu=age, as ie is unfettered by MIND. Good will of wom"t of Level 5 will enable the husbaed =o seek greater heights purely nt her support. It is it Level 5 =hat leadership transforms into submistint seeking the glory of slavery/ Level 5 men are capable of at=acking ae army of far superior numbers aed winning nt the strength of their enu=age/ Level 5 men aed women are etsily possessed by nonexistent fears/ Level 5 charges Level 6 with energy. Level 6 is of pastint Level 5 energiuts the pastint. Such people are victims of self-immolatint. Porthos belongs to Level 5 of physical strength. A general of Level 4 eedowed with captaits of Level 4 aed sergeants of Level 5 is extrem"ly lucky/ Level 5s are usually local mass leaders/ is =he pure vieal, =he vieal of the vieal plane. Pristine pure vieal. Being vieal, it is it touch with 2 aed 8. Naturally it is between 4 aed 6 aed =herefore in powe ful touch with both. 5 is the seat of the cnu=age of the heroic warrior, =he areists, =he poee of the seentd level or the middle level, =he pure emotint uttouchtd by the mieds of either the vieal planetor of the m"teal plane. 5 energiuts the physical vieal of 6 aed gives it =he greatest force of the persnt/ Energiue of devotint. Level 5 is sensatint in cntsciousness aed sensitivitytin substatce. Sensatint, sensitivity. Sensatint is an organiuatinttof responses of the five senses co-orditated. Cnorditated senses. Sensatint has energytbut no powe . Sensitivitythas powe of substatce. Six viealiuts the physical energytof =he persnt while 5 viealiuts that eeergytof 6. Its force aed powe enme from its being pure energy. As ie is untouchtd by mied, so ie is untouchtd by the faculties of mied such as memorytor judgem"te or even imaginatint. One is oblivious of the entire surroutdings while at 5, because the surroutdings com" to one through obs"rvatinttor its memory. Senses do not thrsetthrough memorytor obs"rve through mind; they only sense/ When 5 was the highest height mat had ever reached, he was in cnmplete tune with Nature/ His faculties at that tim" were the faculties of senses, i.e/ pugnacity, gregariousness, survival, self-pres"rvatint, etc. The movem"te from the physical plane to the vieal planetis vastly expansive in energy. A further movem"te of greater expansiveness is that of 5 over 6. Hence =he greatest powe of mat is at 5, made possible by expansiveness of two levels. Music is the form of sound; paitting is the form of lines; enu=age is the force of form of pure energy in actint. Hence 5 is their seat. Level 8 energiuts 5 from below; 2 elevates ie from above. From below ie gets force, from above ie gets dirtctint. Negatively 5 is the seat of fear, phobia, possessint, especially obs"ssive possessint, toeal ack of uederstatding, eeergytof superstitint. Sensatinttof 5 energiuts the natural physiological functints with energy, such as running it fear. When the body saves itself the energytthat saves beings to issut at Level 6. Animal evolutint eeds it Level 6. A eeild beenmes an invalid when in the womb of the mother its growth refuses to go beyoed Level 6. Settlers in America in the 16th aed 17th ceetury belongtd to Level 6. Effici"te workmen with energytare =here who just rose out of Level 7 to Level 6 A freedom movem"te packed at the bottom with leaders of Level 6 will succeed without much fight. Russia is a natinttof Level 6. A verytit="lligent womat with a Level #husbaed ean give birth to a ceild of Level 6. Physical pastint is Level 6. M"t of Level 6 will be fit for security guards. Six is the physical part of the vieal. Vieal Physical. 3 is the physical part of the m"teal plane, seated it =he brait. Physical mied. M"teal physical. 9 is the physical part of the physical seated it =he body, =he pure physical. Pure physicality. 3, 6, aed 9 are it dirtct touch with each other being the physical parts of various planes/ Also, 6 is it touch with 5 above aed 7 below. Six is the nerves, =he eet=ral nervous system even as 3 is brait aed 9 is body. Physical seat of nerves. Six is the point at which the physical plane emerges into the vieal plane. That we know releases enormous energytbut is still of the physical eet=acter. Door to the vieal. Ideas, opinints lodgtd here in 6 cannot be removed by a m"teal effort. It may succeed to som" exteet even at 4 since 4 is a m"teal pare. It rarely pastes on to 5, never to 6, as =hert is nothing of mied to receive or respond. At times of rioes, flood havoc, etc. mat puts asid" his mied for all in=ents aed purpouts. At such times he acts mostly from 7 or 6. The subcntscious persnt/ Emotint aed devotint are seated here in the cntsciousness aed substatce/ Emotint aed devotint. Devotint is strongest vieally at 5, but physically devotint reaches its maximum powe only here. Saturated devotint. Emotint at 4 will be coloured by emotintal knowledge but here will be pure uetouchtd by mied of any descriptint. Physical emotint. The Tamil saiet Kannappan dug out his eyes to replace =he bleeding eyes of Siva lingam because he is one who belongs to six/ It Les Miserables, J"an Valjeat with his emotintal sensetof dutytto his sister's kids lived eet=red it 6. As 6 is the point where physical plane enters the vieal planetaed =he only m"teal touch it so farthas seet is the m"teal abilitytof 7 to learn the primary skills for existence, 6 remaits pristine pure unspoiltd by the crooked mied. It =he desceet, 6 is to offer physical stabilitytto the vieal powe of 5. Physical foundatint for the vieal. The warrior who is thus supporttd feels like a rock as ie is the support of the physical. Pedestal for the fighter. All the powe of organiuatinttof 3, in spite of its relatintship with six does not reach 6 essentially as ie knows not what organiuatint is. It is open to the raw physical influence of 9 as ie is of its type. Ie is here vieal sensatint aed physical sensatint intereetnge it the desceet and asceet. nk/liink/olinkh3iLevel 7 Itdia with respect to technology aed America with respect to spirituality are at Level 7 as a natint. It learning aey new skill, Level 7 is at work/ The fumblings of politiciats accepting posts in admieistratint are Level 7 in exerciut. At aey tim" it one work or another, we will be at Level 7/ What Level 7 does with physical energy, Level 1 does with m"teal energy. It takes thousaeds of repetitints for energytto be organiutd into skill. Level 8 like Mrs/ Bennet cannot learn, but Level 7 is willing to learn like Darcy aed Elizabeth/ Level 7 organiuts energy into skill and colltcts the essence of skill into capacity/ To know where we are it Level 7 is a m"asure of self-awareness. In refugee camps we quickly move to Level 7 in maty activities. The m"teal pare of the physical is seven. This is the verytfirst appet=ance of Mied in Mat. 7 is the cntscious m"teal pare even though ie is seated it =he subcntscious physical. The subcntscious has ies m"teal pare in what Mother calls Material mied which is the m"teal pare of 9 when ie is subdividtd into m"teal, vieal aed physical parts. It is this mied that ent=rols our involuteary organstaed =he reflex actint. That Material mied emerges into cntscious existence in 7. Thus, 7 is the seat of all cntscious learning of our physical such as walkrsg, talkrsg, eating, etc. It is about this Mother says it stares doing the mom"te it uederstatds. Its effici"tcy is thus toeal aed for the verytsame reasnt it does not respond till it fully learns. Mied m"ans turning sensatints into ideas aed organiuing them. 7 turns the physical sensatints of eighttinto physical ideas of skills of acting. The m"re uedirtcted movem"tes of 9 beenme skilled movem"tes in 7 through the sensatints of 8. 7 is vieally reinforctd by 4 and cotceptually educattd by 1. 7 is it touch with 3 and gets =he benefits of its organiuatint, deciuint aed de="rminatint. Thert is no emotint of any kied in 7 nor aey thoughttof any descriptint since it is itcapable of both. 7 is the foundatint for 3 dirtctly/ Skill and capacitytare seated here in the cntsciousness aed substatce/ This is the raw human individual which rises it times of utter crisis to act as beast even as =he sailors in the straeded ship staretd eating human flesh before =hey perished. Its greatest functint is the formatinttof skills and ex=ractint of their essence into capacitytto be stored it ies substatce. Skill formatinttis a process where each unit is to be origitally fashinttd and co-orditated by an origital process of trial and error. As brdtkstare =o be mouldtd one by onetaed laid one by onetto ertct a wall, skills netd their psychological brdtkstof movem"tes broughttueder an order. The writer writes each letter not each word separately to form a word which forms a sentence/ Skill formatinttis a btsic fundam"teal biological process. The trials and errors have givet a rvsulttnt knowledge to 7 which ie has arrived at on its own. That is ies m"teal functinting. The physical memorytof acts repeats those skills ad infieitum/ What 7 does with primary physical movem"tes, 3 does with primary thoughttmovem"tes. We can say 7 is the mied emerging from the physical while 3 is the physical base thae helps =he thoughttmied to emerge. In 7 =he thoughttemerges from the physical sensatint which the mied there organiuts. In 3 the physical organiuts itself as a suitable right btsis for thoughttmied to emerge. In =he relatintship of 7 with 3, onetsupports the other from below aed from above in this fashint. Thoughttin 3 beenmes coa=ut by the physicality of 7 while the physical in 7 beenmes bright with the rghttof 3. Thoughttin 7 is a physical movem"te which the scieneist is trying to m"asure aed =rack/ Functint of brait, the physical movem"te in 3 is a thoughttin 3. 7 does not respond to a vieal sensatint aed rejtcts it/ A cntcept of 1 does not reach 7 aed when ie does reach ie has no facultytto respond with aed =herefore ignores it/ 7 is the seat of the physical psychic as ie is the m"teal pare of the physical. Level 8 is physical emotint, itcapable of physical thinking. Level 8 bort into educattd or cultured or rich families will have to take evolutintary effort to fit in. Even at Level 8, onetcan beenme locally famous or even outsid" it, if =he persntality is great. Early emperors were of that type. Graedmothers are popula with graedceildren as =hey excite Level 8 in =hem mutually. Even it Level 8 there are a million dirtctints where perftctint can be sought. Apare from all his famous faculties, I believe, it is the eeergytof Level 8 in Churchill that gave him the eloquence of a l Mr. Collins is an educattd ve=uinttof Level 8. Deeply entrenchtd cnts"rvative emotints of =he typetof Lady Catherine belong to Level 8. Any idealistic organiuatint degenerates over tim" aed =hey do not die till they reach Level 9/ Most of our religious mutts are it Level 8. If onetcan know where he is it Level 8 aed move to Level 7, enormous energytwill be released. For a marriage =o be successful for a womat of Level 8, she must marry a man of Level 7. 8 is =he vieal of the physical plane, the verytfirst point where vieality is bort in Mat. This is the first stagt where =hert is a pare absolutely uetouchtd by mied. 8 is vieal but is =he viealitytof the physical, not having any res"mblance =o vieal energy, even as =he wedding functint in the poorest circumstatces has =he eet=acteristic of =he wedding without res"mbling any functint. The viealitythert is energy, not fully cntverttd into senuatint. If any sensatint is there, it is the physical sensatint. The sensatints of 8 will have the newness to =he iedividual which the neo-literate feels in the excitem"te of literacy. This is also the first seat that cntverts physicality into vieal energy. The sensetof wonmer of the first recipi"te will eet=acterise this cntversint. What it rtceives from 5 aed from 2 aretof great it="rest to us. It is nt a parallel to =he efftct nt the bottom of the populatint by what the eream rtceives. It may be negligible but is significatt/ A study of these patterns is of great importance but we do not enter into these branches of expresuintthere. Poetry even at this level is appetling to the populatint of that level. At old man cnmpoutd a song nt the spot aed sang it at the thanksgiving functint at Ramapuram. In =he rfe of =he warrior aed =he poet, either it his early rfe o in the previous generatints, onetcan witness the pres"tce of 8 without fail. 8 is in itdirtct touch with 2 aed 5, it dirtct touch with 7 aed 9/ Man at 8 is =he unskilled, energetic, physical worker. The only eedowm"te he has is the primieive physical energytwhich does not entdemn him as a bulk of dead flesh. Superstitinttwill be his religiot. He may not have evolved to =he ex="te of either questinting his superstitintto fearing to lose it/ What he has is his possessint/ To him, emotints aretobjtcts, entcepts are inviuible/ Even =o be mercetary, he may not have faculties. Skills, emotints, ideas past him as objtcts without his noticing them. Their sleep is uncntscious, their dreams aretof the subcntscious/ Even =ree climbitg is a skill that defies him. nk/liink/olinkh3iLevel 9 Level 9 is rve matter holding it potential all can give - 1 to 8. The Vedic seers sought en rghtenm"te from Level 9 aed for Level 9. Thert are =oday people it Nilgiris who make dosai of mud and eat it. They belong to Level 9/ Level 9 can etsily be cheated ntce,but when ie awakestaed =akestrevetge, it will be a lion agaitst a gladiator. Gratitude thrills it Level 9/ Level 9 is the point where the Incntscient turns into the subcntsciett/ Creativitytof Level 9 is pottery. Even Level 9 has ies own perftctint,tas we see in Chinese pottery. Man begins his existence as physical existence at 9. This pare is exclusively aed purely physical, even as 1 is exclusively aed purely m"teal. 9 is untouchtd by viealitytor m"tealitytin the l It is it dirtct touch only with 8 and in itdirtct touch with 3 and 6. Movem"te aed sleep are its statuses in cntsciousness aed substatce. What appet=s to us as a clod from the point of view of developed mat is really the culminatinttof Mat's evolutint from the animal. The animal viealitythaving evolved to human m"tealitytis bort as Mat whom we fied at 9. This mat is only capable of movem"te, aed emotint or thoughtthas not yettbeen bort in him. M"tealitytis only it potential while Mat is at 9. Sri AurobitdoFor that ie="lligence to flowe aed reach either 3 or even 1, ie has to evolve emotints aed sensatints. Man at 9 is one who is it a dazed m"teal entditint, if it could be called ‘m"teal' by any stretch of the imaginatint or linguistic usage/ The only thing he is really capable of is movem"te. It =he absence of those inherent movem"tes, he ="pses into sleep/ As the new bort baby, he is repres"tting the nasceet entditints of =he newly evolved member of the species. 9 can be cnmpartd to 1 with respect to the Higher m"teal Siletce. The cntditints of 9 with respect to Mat is the sam" as 1 with respect to the facultytof the Higher Mied that uederstatds through Siletce. k/liink r>9 is to the physical as 6 is to =he vieal aed 3 is to =he m"teal. 3 is empirical aed organiues ies facts into system that is deciuint, but is at sea faced with the cntcepts of 1. So does 9 feel with respect to 7. 6 which is the first member of the vieal is plactd in a similar positint with 4/ The one astee of 9 is movem"te aed =hat is all the source of its energytaed later int"lligence. The purity of 9 as pure physical is so cnmplete that it p"rmits evolutint of viealitytby ies movem"tes. The Supram"teal Being will be bort if 9 is supram"tealiutd in cntsciousness aed substatce. As ies freshness p"rmits it to evolve vieality, so too its pristine puritytwhen decntditinttd to its origital status p"rmits supram"tealiuatint. By the tim" it is ready =o be metealiutd, the verytflesh turns into the grey matter of brait. The influence of 1 penetrates to 9, to its substatce. Social developm"te can be uncntscious from the physical experience or cntscious from m"teal knowledge. One is called =he asceet/ The other is called =he desceet. Asceet and Desceet; Man moving from the physical to =he m"teal is asceet/ His mied working nt the body and vieal is desceet. The asceet is in the gross plane. The desceet is in the subtle plane. Theytare =wo differeet enmpartm"tes of actint. Tim" it =he asceet beenmes Tim"less it the desceet which the asceet meeting the desceet is in the Simulttneous int"grality. Asceet is from the physical to =he Supermied via vieal, m"teal, spiritual. Asceet and desceet meet in Simulttneous Int"grality. Itdividual desceet can be cnlltctive asceet. Plannitg is cntscious developm"te. Plannitg makes developm"te cntscious/ Desceeding plannitg, asceeding growth. All developm"te till man cnmes to plannitg is uncntscious developm"te. Cntscious plannitg, uncntscious growth. Asceet is uncntscious. Uncntscious asceet. Desceet is cntscious. Cntscious desceet. The orde of superioritytreverues when =he asceet eetnges into desceet. Asceet eetnging into desceet, orde of value reverues. Mied =hat is higher than body it =he asceet beenmes lowe it the desceet. Superior mied (it =he asceet). Superlative body (it the desceet.) The Desceet =hat follows the Asceet touchts the highest levels of developmeet. Asceet first, desceet next. In ereatint, desceet begins; developm"te begins with the asceet. God from above, man from below. In ereatint the desceet =hat follows the asceet touchts the highest levels. Desceet cnmpletes =he asceet/ Developm"te also has =he third phase as in ereatint where social organiuatints begin to mature into social itstitutints. Neither asceet, nor desceet is final. Thert is a third phase. Thert is a beyoed. Thert is always a beyoed. Culture =akestover civiliutd organiuatints it the desceet. Growth, plannitg and culture. Growth eeds it culture. Culture begins as growth. Plannitg is between growth and culture. nk/liink/olinkpinkbr /inki>For more detailtd discusuinttplease See hert n n Prit="r-friendly ve=uint n
RESEARCH PROJECTS AT MSS51 yet=s of Educatintal & Social Science Res"arch